House of The Dying Sun (Deluxe Edition)

by Santeria

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Finbar
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Finbar RIP Dege. With Santeria you and the boys created one of the most singular and atmospheric rock bands in the modern day. It's criminal that these albums are not universally recognised. Favorite track: Zixox.
podperson
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podperson To this day, HOTDS is still one of my all-time favorite Rock records. Stylistically, this album sheds some of the watery psychedelics of the debut in favor of more straightforward hard rock.

That's not to say they don't play around with a little genre variation here and there (stoner rock, blues, a little hard rock balladry,) a habit that they continued on their follow-up Year of the Knife (which even tossed a bit of Zydeco into the mix.)

Highly recommended. Favorite track: Strung Out On A Dream.
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1.
HIGH & RISING Freed after 30 days in the Parish I’m locked down on some bullshit. Sleep all day, smoke like a train Burning in the searchlights. Come sing me to sleep So I can close me eyes, just dreaming. It’s happy hour at the suicide watch But I’m gonna climb the sky and see if… The lord above don’t like my kind. The devil wants a free ride. I’m fucked up and hanging by a thin line And sending out a bad vibe. I’m a Gemini High and rising. Ride the highs in. (Ride the hyacinth) Rising. High and rising. Waltz a shadow down the street Then I’m heading up the road. Burning the oleander trees Up into the moonlight. Pigs ain’t got nothing on me Yet the clear blue sky is screaming. I ain’t going stag off lover’s leap. I’m gonna climb the sky and see if… The lord above don’t like my kind. The devil wants a free ride. (The Kubla Kahn’s just an alibi) I’m fucked up and hanging by a thin line. And the truth is just a damn lie. I’m never coming Never coming Never coming down.
2.
Deathtrip 03:37
DEATHTRIP Come on Take me on a death trip So I can crawl away from here. The cops on the corner, Looking for a blood donor, Who’s jumping off the top Of the bridge-way. You got a gold choke chain Wrapped around your main vein. Nothing gonna kill it but time. The city’s so cold. Got me digging a hole. Hope your love is as pure as mine. Take me on a death trip So I can ride away from here. I’m hitching to Pomona, Looking for phone number, That’s burning in a hole in Bombay. I could be blown away A drive by or a day dream. Scream down Echo Canyon. My fate’s been sold and it’s so cold You’re my savior and companion. Write your suicide note On my palm and sign it. The stars are all out And they know we’re coming. Our hearts, so pure, But my minded is loaded. This crooked ass town Don’t even want us. So take me, come on take me. You’ve got to show me what you got If we’re jumping off the edge of the world At the end of the night. Come take me, dare you to take me On a death trip through your heart. You’re my angel dressed in rags Coming down from above. (And I’m gonna fall)
3.
DADDY’S BAD GIRL Jackie ain’t been the same Since she got back. Now I gotta hear about all of the things That she couldn’t have. But old Hollywood don’t wanna bring A dead dream back. So she goes where the little girls go When they’re bad. Do you know if they’re bad? Don’t be bad. Daddy’s Little Bad Girl. Daddy’s Little Bad Girl. Don’t be bad. If you’re good you get to heaven If not they lay you on the racks. Or in the motels singing to clichés On the tape deck. And all the little boys Turn into men and bureaucrats. And then they ask me, Where the little girls go when they’re bad? (Chorus) But the Frown Clown Man Is just up the way. Got something he wants you to see. So go on give it away. Yeah the Frown Clown Man He knows where you stay. Got something to you he wanna say. So go on give it away. Give it away. Go on give it away. You can give it away…
4.
WRONG END OF THE DAY Lay down in the morning Rise up on the wrong end of the day. Sleeping in an empty room. A million walls, they all the same. Carolina black night moan Like an earth bound train. Where the old mad men roam. Sometimes they go astray. Down on the wrong end. Down on the wrong end of the day. Lay down in the morning. Rise up on the wrong end of the day. Cotton and the railroad dawn. Woman and a Choctaw baby. Shadows of the endless sun. Like an earth bound train. Shadows of the empty moon Like a mountain about to break Down on the wrong end. Say you’re never crawling…down. Down along the wrong end of the day.
5.
Laredo 04:10
LAREDO The last train out Laredo leaves today. And I’m gonna catch its spine. The last train for Laredo, hear what I say. Ain’t gonna let it ride without me. Don’t ride without me Don’t ride without me And the train goes…. “How, How, how-how, how” Yeh, the hippies chase the morning, They like to dream, but I can’t take no sides. Cuz the evil talks to junkies just like to saints. And I can’t let them ride without me. Chorus Leaving on a train Leaving on an old train Leaving on an old train To Nuevo Laredo. Leaving on a train Leaving on an old train Leaving on an old train To a new Laredo.
6.
HELLBENT WOMAN BLUES Buy you new shoes But you don’t want to dance. Rather smile at every fool That looks at your ass. Cause youz a hell bent woman I got to leave you alone. The kinda hell bent woman My momma warned me about. Spend all my money And then you wrecked my cars. Flirting with all my friends Like they are movie stars. I got to get away from you soon. Cause youz a hell bent woman I can’t do nothing for you. Pocket full of pawn tickets Nose full of coke. You think it’s funny But it ain’t no joke. I got to move on down The mother-scratching road. Cause you’re a hell bent woman I can’t do nothing for you. Halfway out of Memphis That’s were she’s from. Look in the mirror And here she comes. I’m gonna scream hell bent woman Into the sun. Cause youz a hell bent woman I got to leave your ass alone.
7.
MAIN MAN “THEME FROM THE DRIFTER” The dead sun burnt my brain black, But I’m not a martyr nor am I a slug. You want love, lay down on the train tracks. Lower your eyes and quarry the morning star. You better call out for your main man, Who forgets your name but knows your face …from somewhere. Who is your main man? Who is your main man? Who is your main man? Now that you’ve opened up your eyes, And let your innocence die with mine. My little baby wants love. She’s coming at me like a train wreck. Will they chalk our silhouettes Into the morning sidewalk? You’re better crawl, Or lay down on the train tracks Lower your eyes, And quarry the morning star. You better call out for your main man Who forgets your name but knows your face …from somewhere. Who is your main man? Who is your main man? Who is your main man? Now that The Drifter’s got to ride And the endless night calls. Gina pulls my hair just like a kitten That wants to play or mine A new track upon an old vein On the Highway Beyond. Rebecca slits her wrist. Reed on a fiddle with dead strings. Sometimes we’re silly, sometimes we’re hungry On the Highway Beyond. Beyond, beyond, beyond. Such a long way down, we’re falling…
8.
Morningfall 04:08
MORNING FALL It’s a 100 miles of graves. There’s a sheet And the ghost of a slave. My old man left us Back down the way. Let the morning fall. My luck ain’t bound to change none. I been pissing down the wishing well And now everybody knows There ain’t nothing to gain there this time Let the morning fall. Let the morning… So you’re a man’s man From No Man’s Land. Roaching tokes and choking on the fire. You begin where most end, But you’re already spent inside. Let the morning fall. It’s all bone on bone to the night’s end. Throw another earth-moving machine on the fire. Just a stone’s throw from the side of the asylum. Can’t be waiting round…here to die. Let the morning fall. Let the morning… Let the Good Lord save me… Right now…I got to run off To where the blood runs. Fade out. I’m gonna cut the tongue Out of my mouth. Roll down. 10,000 miles from my home. Let the mystery roll down. Let the mystery roll on. Hanging on with The Killers & Whores (of Maw and Paw’s Waltz) Let the mystery roll down. Let the mystery roll on. Fade out. I’m gonna fade out… I’m just gonna fade out…
9.
STRUNG OUT ON A DREAM The wind is just a whisper, A promise about to break. The past I can’t remember, But there ain’t nothing there left to gain. Guess I got to find a way To make some money soon. I’ve been staking claims In dirty motel rooms. Strung out on a dream In the ghetto of heaven. It’s just a stone’s throw Between the Madhouse And the Mansion up the street. And enough trouble in the space between them To put a grown man to his knees CHORUS Perfection’s an addiction That I ain’t got time to play. I’m broke and out here stranded Trying to kick a dream CHORUS All strung out on a dream
10.
Cain's Way 04:43
CAIN’S WAY Pass me the smelling salt. Come cure these crooked bones. Ain’t slept in four days, The night lights are playing ping-pong. Might climb the Wailing Wall And got to come down full holes. Can’t stop hearing cops and peeping Out the windows. At Cain’s Way & Molotov St. It’s easy, getting off. Warm up the EKG. Abstract the mutations (caressed by temptation). S.O.S. We’re AWOL Meat and bone ghosts On the TV screen. Cigarette insomnia In the Motel Tilt-A-Whirl Like streaked 8mm reels Of soot filled air. Watch it haunt the haunted And crip the crippled even more Man, I’ve seen’em paralyzed From the waist down and the chest up… Out of this lonely, dead-end abandon I got a feeling that there ain’t much More to come and pull you from the past You’re thinking you’re done, Then we go back again Safe inside the moment. There ain’t no right or wrong between us When you’re safe inside of Cain’s Place on Molotov St. Up and down the road, man. She knows where to go Down the street to Cain’s Place, But I’m already there. I’m already dead Shove it and roll it. There’s one in the chamber. Ain’t got no fear where it stops. Cuz you’re always looking for answer, Digging through a sack of trash Where none’s ever been. But you’re safe inside the moment. There ain’t no right or wrong between us. When you’re safe inside of Cain’s Place on Molotov St.
11.
Zixox 20:34
ZIXOX All you little girls, man They like to play Little death games Along the way. Then they come running back On their knees, saying, “There’s nowhere left where I’m safe.” But they’re little dead hearts, They ain’t afraid, Still burning a prayer Up in the scarecrow’s face. From Zixox to the Judas tree, We’ve lost some religion along the way. But you find it fast…now When you’re crawling floors And calling the Lord From the Slaughter House. All the little toy soldiers Like to play Little death games Along the way. Shepherding angels Through the stockades. Selling them faces And an ounce of grace. It’s all prisons Of paper mache’ Crumbling ‘neath The pounding rain. I’ve seen snakes up in the Judas Tree We’ve lost some religion along the way. But you find it fast, down, When you’re crawling the floors And calling the Lord, Lord, Lord From the Slaughter House. When you lay down on Zixox Ridge All you thought was sacred then Now don’t mean shit. Is there a heaven in the night sky Where the moon sits? So many killers on the street, tonight Just wandering around here… I’ll shoot a hole in the night’s roof Where the moon sits. Is there a heaven on the other side? Can I get in? I’ll crawl through a hole In the night’s roof Where the dead men live. There’s so many killers on the streets tonight Just wandering around….here. (OUTRO) If you need a whore To wash feet I think I know how. I feared no evil then But I fear it now. And if you need a thief To sweep floors I think I know how. I feared no evil then But I fear it now…
12.
Intro to: The Battle Hymn of the Good’Ole Hillbilly Zatan Boys (a novel by Dege Legg) This is the story of The Good’ole Hillbilly Zatan Boys, born and hell-raised in south Arkansas. They were wild and they had guns. Them old boys were itching to have one of them that Branch-Davidian Freakouts. There wasn’t to do around the house but sit around, killing time, eating snakemeat while squatting by the fire—either that or sip straight White Jesus shine from a dirty cup…with your leg propped up on a deadcar, so’s your balls can spill out one side of the tattered cut-offs you ain’t washed in six weeks. Yes, them were long nights, followed by days so mountain pounding long you’d swear that the sun had wires in it—what with all the buzz and scrape of the insects, hissing round the creeps rotting on Buzzard’s Bluff. The family survived by selling stolen scrap metal back to the junkyard where Elron “Zixox” Zatan, patriarch of the Hillbilly Zatan clan, crushed cars and collected a check every two weeks. They also made a little cash on the side hocking a rot-gut concoction sifted from out of the still that Grand Pappy Mutton had made back in 1936 from old musket guts and junk he found laying around the yard. But they were hard. Time was hard, but not harder of the smelly-greasy heads of The Good’Ole Hillbilly Zatan Boys. They stitched a wicked strangeness and rode the ghost of it out of the backwoods, mulching humping rotten stumps, porn-fornicating on the darkness of the moist hills, and calibrating the bizarre circus of dementia…lodged far back along the twisted creeks of their minds.
13.
THE FLATLANDS White girls in tight pants Drive the devil insane. So it’s said by the hicks that haunt Old Mowata wells at dawn. Speedqueens from skin magazines Behind Crowley’s Bar. Church girls just a year ago Now their God’s so far away from here. The preacher Smokes dust to walk on water Fly from the top of the tower. He takes little girls to a place where They can hallucinate for miles and miles. Where the blood’s cursed with incest We hear the virgins howl. And the halos of the tempted Are littered with flies that fall right where. The saints have all gone down And still Paw’s trying to plant his cross On The Flatlands of Ascension Some say the land is haunted Nothing seems to grow. ’Neath the spirits that ride the wires Scaffoldings that fork the sky. Bones of the chaingangs Pulpit and the plow. Angels with strange wings That scatter a powder over the fields where. The saints have all gone down And still Paw’s trying to plant his cross On The Flatlands of Ascension
14.
THE SHADOWTOWER Cut off my little finger with her silverware. Sold my blood to the butcher..now Her momma stares at my scars Like tears float in the reservior. Out where the scarecrows fast. And the fattened calf learns to starve. They chopped Tiller's head And sawed off his hands. Sent him off to the Promised Land. Is there a sane way Out Twixt Fire and Flower? We poke through the rubble of dead dreams That litter the floors of The Shadow Tower. Puppeteer pull my old strings, Make them sing in the air. There's old buzzards riding screams Through holes cut in the stairs. Even the honest men'll turn on you Amidst the fallfog and showers. I've seen some strange things Down in the dark halls Of The Shadow Tower. Shackled in closets, hunched hind old screens, Men spraying sperm on old magazines. Like slave ships listing gently out to sea. Yes, the old lighthouse has been gutted, But The Shadow Tower looms ominously. Sally crushed my soft lies and nickle tears. Now I wash her feat with my dirty hair. I've heard some pained melodies Pulled from the Fire and Flower. Come read our Suicide Notes and Love Letters written on the walls of the Shadow Tower. I was locked down in the Looney Ward In '93. Wailing with the madmen In a chorus of screams. Naked. Prowling the rubber rooms in only sheets. We're just ghousts trueing an iron wheel Against the trunk of a Judas Tree. Meaning's conversify* at their battered ends. Trying to factor the paradox's hexed content, As the ThreePennyOpera clangs and... grinds out the hour. and me and my brothers set fire to the walls and crooked gates of The Shadow Tower. (*neologism)
15.
PAPERFLOWERS Lay your burdens down with mine, We are cut from the same skin. Here, all our faults are enshrined Because there is no where left to run. Lay your troubles down with mine, Right off you broken shoulders. Leave our failures far behind Like little paper flowers on fire. Lay you burdens down with me, We have something to claim here. Long ago we were in exile, But I won't bow my head tonight. The heirs of Philistines have lost their minds, Only those fearful serve them. Soon...their daughter's wombs will open wide Like little paper flowers on fire. Lay, yeah, lay Down in the cross-hairs sights. Lay, yeah, lay Down in my arms tonight.
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VALLEY OF EARTH MOVING MACHINES Machines made into Towers, Crushing the alien skulls to powder. I'll drink to you from the hour glass, Smashed on a flower. Irons split on marble walls Where brave men cower... Cave dwellers putting fire to stones. Fossilized digitally encoded bones. Where all is seen But not shown... to the virgin girls with funny secrets in the showers. Hear the thunder rumble Hear the thunder rumble The mountain-side's gonna tumble. A shoulder to the bluff, it crumbles Like sand or glass shattered on a number. 900,000 A.D. All evidence: destroyed Systematically. Pragmatically. Higher life forms, handing out Jester hats to the pallbearers. Old World speeches Crushed'neath granite feathers. It's all just a mating call For some future revolt. 10,000 Air raid sirens, Howling out of unison. Soliloquies of static roar. I confess I've made the Eggman cry, But his love wasn't as pure as mine ...thunder pooled in empty machines ...thunder pooled in empty machines ...thunder pooled in empty machines It's a ballet of earth-moving machines. A ballet of earth-moving machines A ballet of earth-moving machines Coming round the corner. I hear them coming round the corner. A valley of earth-moving machines. A ballet of earth-moving machines.
18.
HOUSE OF THE DYING SUN When the morning breaks. And the grey dawn falls. Will my daughter wake up neath The dying sun? She’ll watch the temples shake. Mansions to slums. Will she be safe tonight If her faith is strong While the children weep Ain’t coming home Hear the killers sing you to sleep As the ashes fall. They say the earth’ll quake When Revelations comes. They say the cities will sink beneath The fog of euphorbium. It been written in blood. It been Chipped in stone. Will the old man be sent down Will they let him burn Some wear crowns of thorns Others of golden wire Some of them want to see you live Others’ll help you die… If your faith ain’t strong. If your faith ain’t strong. In the House of the Dying Sun. There is the Astral Jehovah. Prophet and bastard heir. Just an orphan in this place For 33 years. He’s saying, “Come crucify my body To the powerline poles. On the boulevard, tonight, I’ll hang like a scarecrow And sing…. Is there no love. No love. No love among you desperate men? Is there no love. No love No love In the House of the Dying Sun? I’ve come to seek asylum. Mutate in the gene pool. Lay my dead dreams Down in the earth’s soil. Come crucify my body. Come crucify my body. Come crucify my body…I’ll hang like a Scarecrow And sing… Bomaye Bomaye. Bomaye Bomaye. Is there no love. No love. No love among you desperate men? Is there no love. No love No love In the House of the Dying Sun?
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LAREDO The last train out Laredo leaves today. And I’m gonna catch its spine. The last train for Laredo, hear what I say. Ain’t gonna let it ride without me. Don’t ride without me Don’t ride without me And the train goes…. “How, How, how-how, how” Yeh, the hippies chase the morning, They like to dream, but I can’t take no sides. Cuz the evil talks to junkies just like to saints. And I can’t let them ride without me. Chorus Leaving on a train Leaving on an old train Leaving on an old train To Nuevo Laredo. Leaving on a train Leaving on an old train Leaving on an old train To a new Laredo.
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STRUNG OUT ON A DREAM The wind is just a whisper, A promise about to break. The past I can’t remember, But there ain’t nothing there left to gain. Guess I got to find a way To make some money soon. I’ve been staking claims In dirty motel rooms. Strung out on a dream In the ghetto of heaven. It’s just a stone’s throw Between the Madhouse And the Mansion up the street. And enough trouble in the space between them To put a grown man to his knees CHORUS Perfection’s an addiction That I ain’t got time to play. I’m broke and out here stranded Trying to kick a dream CHORUS All strung out on a dream
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LAST MAN OUT OF BABYLON Dreaming within a dream. Falling even further. Screaming into a scream. The buckshot stars of sand Fall upon my head. No man or woman round Gonna part me from the way. Because I'm the last man out of Babylon Swaying with the salt & stone. Just looking for a face. Crawling, Long the Pantomime Parade. Sinking even further. A world without a trace. A mountain in a can. Falls upon my head. Ain't no nothing come around Can save me from the end, because... I'm the last man out of Babylon Burning with the salt & stone And the pillars along the plane. I'm the last man out of Babylon Waltzing with the salt & stone Just a'trying to find the way.
34.
I wish I was in the land of cotton, Old times there are not forgotten; Look away! Look away! Look away! Dixie Land. In Dixie’s Land where I was born in, Early on one frosty mornin, Look away! Look away! Look away! Dixie Land. I wish I was in Dixie, Hooray! In Dixie’s Land I’ll take my stand to live and die in Dixie. Look away! Look away! Look away! Dixie Land. Look away! Look away! Look away! Dixie Land.

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Tracks 1 -11 Original Album Release
Tracks 12 - 30 Deluxe Edition Bonus Tracks

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released November 9, 2002

Recorded, Mixed, Mastered, and Produced by Tony Daigle & Santeria

All lyrics by Dege Legg
Music by Santeria
Copyright 2002
Publishing (BMI)

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Santeria Lafayette, Louisiana

Born in the haunted backwoods of Louisiana where atmosphere plays as much a part of the music as the rich cultural legacy of the South. This is Santeria, a kick out the jams, psyouthern rock & roll band. Their cultural isolation from the rest of the world has birthed something starkly original, yet catchy...a mix of hard rock, psychedelia, world music, & haunted blues. ... more

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